Berganza: Canções Típicas Brasileiras No. 7: Adeus Êma (Desafio)
Archive for December, 2014
数へ日の猪喰ふ旅へ夜行バス 相沢恵美子
kazoebi no shishi kuu tabi e yakô basu
New Year’s eve
a night bus for the trip
to eat a wild boar
Emiko Aizawa
from “Haiku Shiki” (“Haiku Four Seasons,” a monthly haiku magazine) , March 2013 Issue, Tokyo Shiki Shuppan, Tokyo
Translation by Fay Aoyagi
Today’s Haiku (December 31, 2014) | Blue Willow Haiku World (by Fay Aoyagi).
May the newest new
year of the beginning of
the spring just begun
today like the falling snow
the more heap up our blessings.– Yakamochi
Love as saying says
is a most excellent name
in terms of saying
what otherwise won’t be grasped –
my body now become it.– Yakamochi
My most loved tanka are by the Japanese poet of The MAN’YŌSHŪ (万葉集), or Collection of Ten Thousand Leaves, Yakamochi, who lived from 718 to 785. It helps to know that the Japanese until recently followed the lunar calendar so the first day of the new year was also the first day of spring. Often, spring contained snow (like life, huh?).
The MAN’YŌSHŪ (万葉集), or Collection of Ten Thousand Leaves, is the oldest existing anthology of Japanese poetry, having been compiled around 759 C.E. It consists mainly of 4,500 short poems or tanka, written and collected from every class of society, many by women, over a period of 440 years. Tanka traditionally consist of 31 syllables in 5 lines of a 5-7-5-7-7 pattern — easy to count on the hand and so to memorize. The MAN’YŌSHŪ poets experienced interconnection with all life forms, organic and inorganic, as an inherent quality of their daily spiritual and cultural lives and expressed in Shintoism as well as poetry. When they spoke-wrote poetry it was experienced as naturally akin to a clap of thunder, a raindrop, the cry of the hototogisu, or an in- and out-breath. – Donna Fleischer
May the newest new
year of the beginning of
the spring just begun
today like the falling snow
the more heap up our blessings.
~ Yakamochi
[(4516) . . . dated on New Year’s Day 759 . . .
This is the final poem in the Manyoshu.
In the lunar calendar the first day of the year
inaugurates spring. Tanka translation &
annotation by Cid Corman, Peerless Mirror,
Firefly Press, Cambridge, MA, 1981.]
artist Deborah de Robertis
“There is a gap in art history, the absent point of view of the object of the gaze. . . . ” – Deborah de Robertis
NSFW: Performance Artist Reenacts the Painting ‘The Origin Of The World’ | artFido’s Blog.
eyes float
in their window ponds
endless
and forgotten
Increasingly, I find that most scientific research as to the status of species’ existence is motivated by pharmaceutical farming and mining interests: To locate enough active genetic information to scaffold grow anew an organism — that passed through the world too soon for complex reasons, involving human aggression and co-optation of habitat — sufficiently, to extract compounds that can be developed further, marketed, and sold as prescriptions to quell or at least salve human suffering.
Are we humans so afraid of our own individual natural deaths over time that we kill off the life in us, among us, and without us? This is all on the level of the unconscious, where we stare into the Void and cannot bear to feel that g-d doesn’t love us, that we have failed because we haven’t been successful in the new world — where success is counted as full participation in the illusion that money will buy one’s ticket to paradise; that one is to achieve individual rapture at the cost of all else; that notions like moral complexity, freedom, integrity or wholeness, necessity of the wild, interdependence, justice are just plain stupid, or useless.
We self-assign our careers supposedly willingly and go about our business of acquiring credentials, jobs, and money. It’s possible that in proportion to the extent we pursue, we acquire and accumulate, that we then begin to fill up with comfort, the illusion that things piling up at the behest of malnourished egos is the way to escape the gaping Void at our heels. Comfort is the life-numbing quest. It replaces the capacity for wild life, that is, the life from which and for which our genetic materiality exists. If one doesn’t use a muscle it will atrophy, as half dead from comfort, we chase down truly living things, kill them, rip them open, and look to see what life there is, what life is, we think this is the only kind of death. We are desperate behind our masks of calm. When we laugh it is not from the belly seized with delight, of language, of all and anything that lives fully. We begin to hate life itself, mistaking it for the enemy.
There is no enemy. There is darkness and we have always been afraid of the dark. Look into the eviscerated animal for as long as you may, you can not ever recover your own precious life unless you embrace the shadow dance. Let the dark in and let it twinkle. – short essay by Donna Fleischer
Also, watch the film with Willem Dafoe, The Hunter. ~ Donna Fleischer
BBC NEWS / Science/Nature / Tasmanian tiger DNA ‘resurrected’ | word pond.
Increasingly, I find that most scientific research as to the status of species’ existence is motivated by pharmaceutical farming and mining interests: To locate enough active genetic information to scaffold grow anew an organism — that passed through the world too soon for complex reasons, involving human aggression and co-optation of habitat — sufficiently, to extract compounds that can be developed further, marketed, and sold as prescriptions to quell or at least salve human suffering.
Are we humans so afraid of our own individual natural deaths over time that we kill off the life in us, among us, and without us? This is all on the level of the unconscious, where we stare into the Void and cannot bear to feel that g-d doesn’t love us, that we have failed because we haven’t been successful in the new world — where success is counted as full participation in the illusion…
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