Iphigenia Teaser (2021) on Vimeo
premiering at Mass MoCA!
Archive for October, 2021
premiering at Mass MoCA!
The Sounding
–Forrest Gander
What closes and then
luminous? What opens
and then dark? And into
what do you stumble
but this violet
extinction? With
froth on your lips.
8:16 a.m. The morning’s
sleepy face
rolls its million
eyes. Migrating flocks
of your likesame species
incandesce
into transparency.
A birdwatcher lifts
her binoculars. The con-
tinuous with or without
your words
situates you here
(here (here)) even while
you knuckle your eyes
in disbelief. Those
voices you love (human
and not), can you
hear their echoes
hissing away like
fiery scale
from an ingot hammered
on some
blacksmith’s anvil?
And behind those
voices, what is that
blowing
the valves of your ears open
as black rain,
not in torrents, but
ceaselessly comes
unchecked out of everywhere
with nothing
to slacken it.
Posted by Brian at 4:57 PMNo comments:
蚯蚓鳴く日本列島水の国 岡本正敏
mimizu naku nihon-rettô mizu no kuni
earthworm sings…
the Japanese Archipelago
is a land of water
Masatoshi Okamoto
Fay Aoyagi translation
from Haidan, (Haiku Stage) a monthly haiku magazine, November 2013 Issue, Honami Shoten, Tokyo
Fay’s Note: Though earthworm doesn’t sing, ancient people believed it did. In an old folktale, an earthworm swapped its “eyes” (which a snake didn’t have) with a snake’s “beautiful singing voice.” “mimizu naku” (earthworm sings) is an autumn kigo.
Source: Today’s Haiku (October 27, 2021) | Blue Willow Haiku World (by Fay Aoyagi)
Poetry and reportage in Lampedusa.
Source: Everyone Is an Immigrant by Eliza Griswold | Poetry Magazine
for their continuing indispensable poetry and journalism, I also read at SacrificeZone and Vengodalmare – word pond
Trapped inside the daily noise of man’s machinery an atonal fugue without music of the spheres
cyclical and blesséd, even when all machines are on off an irritating drone pervades this room without
apology, this power grid. Human beings plug into it with their paycheck prongs. Vacuum pump fluctuates,
fans oscillate, chase proceeds along X and Y axes on worm bores of forged steel. My heart, suspires. . .
down around the corroded canyon of an old cast-iron drainage pipe surrounded by spilled photochemicals
and rusting razor blades, who will believe it, a cricket sings. Aerosol spray can of ant and termite killer
sadly within reach, I hurl it into the trash, smile calmly at the prescience of our possible common doom.
The bug’s little choir lifts me throughout the twelve hour shift in between volume spikes that drown out its
tune when the wee peripatetic heartbeat resumes. Yet such miniature beauty making, I fear, will merely
draw enough attention to be crushed or poisoned. Could cricket be enjoying its peculiar new digs? I flinch
to wonder how we can escape, together, with Sartre and Disney breathing down my neck. Just the few steps
through a door and onto sweet simple grasses outside…
right effort
cricket knows
does not stop its song
for long
thanks to donna fleischer for sharing her poem with us
and donna fleischer appreciates bottle rockets press for bringing this poem out in a selection of haibun by Donna Fleischer, entitled indra’s net, 2003 – df
Source: Darwin’s Urn – sacrificezone