(22) I’ll Know (From the Musical Production “Guys and Dolls”) – YouTube
Archive for February, 2023
Prize-winning Italian author Natalia Ginzburg’s 1948 essay on women’s post-war social and political circumstances, translated by Nicoletta Asciuto.
Source: Natalia Ginzburg – On Women
More than simply a primary color, ‘blue’ also describes a musical tradition and a familiar feeling.
Source: Dan Coyle tangled up in it
The Philosophy of Modern Song
By Bob Dylan
Simon and Schuster | 355pp | £17.50 $22.50
Alan Wall reviews Dylan’s pop-music survey and Greil Marcus’ ‘biography’.
Source: Alan Wall on Bob Dylan
Collage of Elsie Robinson and Madam C.J. Walker.
For most of modern history, patriarchal institutions have minimized or excluded women’s stories and contributions from the historical record.
Source: The Writers’ Room: Preserving women’s histories | 1A
Maria Lassnig, “Du oder Ich” (2005), oil on canvas, 203,5 x 155,5 cm (photo courtesy Maria Lassnig Foundation)
Very recently I was told that a certain art magazine editor, who had deleted the feminist critique from a review I had written, “can only take so much feminism.”
Forfeit use of the word, “alleged”. The practice and pattern of allowing for one woman artist at a time to occupy the space for greatness still reserved for men is by now legend. Time to put aside fears and lift up all of the greats for all to see. – word pond
Source: The Problem of the Overlooked Female Artist: An Argument for Enlivening a Stale Model of Discussion
Johannes Vermeer, “The Milkmaid” (1658–59), oil on canvas. Rijksmuseum, Amsterdam. Purchased with the support of the Vereniging Rembrandt
In Vermeer’s paintings, the world is much larger than we imagined and yet somehow deep, meaningful, and magical.
“Self-Portrait, 1986. Photographs by Ellen Carey
Ellen Carey’s kaleidoscopic self-portraits put her out of synch with many of her peers. As her work has evolved, the times have caught up.
Source: An Outlier to the Pictures Generation Gets Her Due | The New Yorker