Posts Tagged ‘ bells ’

Martín Espada – Heal the Cracks in the Bell of the World | poets.org

Heal the Cracks in the Bell of the World

                    For the community of Newtown, Connecticut,
where twenty students and six educators lost their
lives to a gunman at Sandy Hook Elementary
School, December 14, 2012

 

Now the bells speak with their tongues of bronze.
Now the bells open their mouths of bronze to say:
Listen to the bells a world away. Listen to the bell in the ruins
of a city where children gathered copper shells like beach glass,
and the copper boiled in the foundry, and the bell born
in the foundry says: I was born of bullets, but now I sing
of a world where bullets melt into bells. Listen to the bell
in a city where cannons from the armies of the Great War
sank into molten metal bubbling like a vat of chocolate,
and the many mouths that once spoke the tongue of smoke
form the one mouth of a bell that says: I was born of cannons,
but now I sing of a world where cannons melt into bells.

Listen to the bells in a town with a flagpole on Main Street,
a rooster weathervane keeping watch atop the Meeting House,
the congregation gathering to sing in times of great silence.
Here the bells rock their heads of bronze as if to say:
Melt the bullets into bells, melt the bullets into bells.
Here the bells raise their heavy heads as if to say:
Melt the cannons into bells, melt the cannons into bells.
Here the bells sing of a world where weapons crumble deep
in the earth, and no one remembers where they were buried.
Now the bells pass the word at midnight in the ancient language
of bronze, from bell to bell, like ships smuggling news of liberation
from island to island, the song rippling through the clouds.

Now the bells chime like the muscle beating in every chest,
heal the cracks in the bell of every face listening to the bells.
The chimes heal the cracks in the bell of the moon.
The chimes heal the cracks in the bell of the world.

Inner Bells Mayo Nakano Trio Live

Mompou ~ Musica Callada

Mompou is best known as a miniaturist, writing short, relatively improvisatory music, often described as “delicate” or “intimate.” His principal influences were French impressionismErik Satie and Gabriel Fauré, resulting in a style in which musical development is minimized and expression is concentrated into very small forms. He was fond of ostinato figures, bell imitations (his mother’s family owned the Dencausse bell foundry and his grandfather was a bell maker),[1][3] and a kind of incantatory, meditative sound, the most complete expression of which can be found in his masterpiece Musica Callada (or the Voice of Silence) based on the mystical poetry of Saint John of the Cross. It employs very simple, even childlike melodies, but tinged with sadness, melancholy and a nostalgic echo of a forgotten far-away land.[citation needed]

He was also influenced by the sounds and smells of the maritime quarter of Barcelona, the cry of seagulls, the sound of children playing and popular Catalan culture. He often dispensed with bar lines and key signatures. His music is rooted in the chord G-C-E-A-D, which he named Barri de platja (the Beach Quarter).[1] — Wikipedia

Björk – Who Is It?

Necessarily Sō : A Sō Percussion John Cage Celebration | American Mavericks Festival, 3.26.12 : Exit Strata