Posts Tagged ‘ color ’
Dings & Shadows (2018) © Ellen Carey
Donna’s poem – “Rapture in Oneiric Blue” – celebrates Anna Atkins, whose cyanotypes produced a Prussian blue — the word “cyan” means “blue” — and Hundred Heroines is honoring Atkins, the 19th century British pioneer, who had many firsts: first female practitioner in photography, she made the first photo-book; first to use text in and around her unique photograms of nature found in her botanical studies; and first in colour/color . . . . and Donna’s poem highlights light and color with Carey, in the 21st century, made in the “light-tight” darkroom, where no light is allowed, except upon exposure. Thank you, Donna, for your wonderful poetry and more, on Ellen Carey’s work at www.ellencareyphotography.com or Wikipedia. – Ellen Carey
by Sabine Miller
“Amnion,” mixed flower pulp and water on 9″ x 12″ watercolor paper, 2018.
from Poetry as Consciousness: Haiku Forests, Space of Mind, and an Ethics of Freedom by Richard Gilbert (Keibunsha Press, 2018). Order in English.
Helen Frankenthaler, Around the Clock with Red, 1983
(Hunter Museum of American Art).
Walter Benjamin writes:
Colors can have a very strong effect on the smoker. A corner of S’s room was decorated with shawls that hung on the wall. On a chest covered with a lace shawl were a couple of glasses with flowers. In the shawls and in the flowers the color red predominated – in the most diverse shades. I made the discovery of this corner late and quite suddenly, at an already advanced stage of the fête. Its effect on me was almost stupefying. For a moment, it seemed to me that my task was to discover the meaning of the color with the help of this absolutely incomparable instrument. I named this corner the “Laboratoire du Rouge.” My first attempt to work in it did not succeed. But I came back to it later. All I remember of this undertaking at present is that the problematic for me had become displaced. It became more general and extended chiefly to colors. What distinguished them seemed to me to be, above all, that they possessed form, that they made themselves perfectly identical to the matter in which they appeared. Yet insofar as they looked quite alike on very different things – for example, a flower petal or a sheet of paper– they appeared as intermediaries or go-betweens in the realms of matter: only through them could the most widely divergent of these realms be wholly united with one another.
Source: aus unruhigen Träumen
Four Poems Excerpted from sections in the new re-issue of Something Bright, Then Holes (Soft Skull Press)
Source: Four Poems – BOMB Magazine
Archer, Republic of South Africa, Korf Hoeks Farm, 8,000-2,000 BCE. Watercolour by Maria Weyersberg,Courtesy Frobenius-Institut Frankfurt am Main
Our imaginative life today has access to the pre-linguistic, ancestral mind: rich in imagery, emotions and associations
Source: Imagination is such an ancient ability it might precede language | Aeon Essays
Il cielo è, sopra il tetto, Così azzurro, così calmo! Un albero, oltre il tetto, Culla i suoi rami. Paul Verlaine Oh! Che Indovinando l’istante più solo della natura, La mia melodia, tutta e unica,…
Source: Glimpse of the Garden – Marie Menken e .. – vengodalmare
Image: Eggleston Artist Trust
Yellow, red, blue, green; the experiencing of color was not, for Marc, a byproduct of our interactions with our immediate environment. Our experience of color, instead, is what makes the world ‘our own’. It’s what gives a particular place at a particular time it’s special flavor, mood, inflection. Color, in short, is meaning.
Source: The Easel | Art journalism