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Posts Tagged ‘ darkness ’
digital still, from Tea in the Dark (winter solstice), 002019
Source: Tilting towards Change: Winter Solstice (Tea in the Dark #2) | FOP
SO MANY CONSTELLATIONS that are held out to us. I was, when I looked at you- when? - outside by the other worlds O these ways, galactic, O this hour, that weighed nights for us over into the burden of our names. It is, I know, not true that we lived, there moved, blindly, no more than a breath between there and not-there, and at times our eyes whirred comet-like towards things extinguished, in chasms, and where they had burnt out, splendid with teats stood Time on which already grew up and down and away all that on which already grew up is or was or will be-, I know, I know and you know, we knew, we did not know, we were there, after all, and not there and at times when only the void stood between us we got all the way to each other.
– Paul Celan
‘Soviel Gestirne’ form the ‘Die Niemandsrose’ collection in 1963, Michael Hamburger translation
The notion of encounter is a key part of the Meridian address and a major theme in Celan’s later work. It’s also quite complex so I’ll start with its use in the Meridian speech and…
Source: Paul Celan, notes on the encounter | Bebrowed’s Blog
挨拶のうしろに深い秋の闇 池田澄子
aisatsu no ushiro ni fukai aki no yami
behind
the greeting
deep autumn darkness
Sumiko Ikeda
from “Haiku-kai” (“Haiku World,” a monthly haiku magazine), February 2017 Issue, Bungaku No Mori, Tokyo
Fay Aoyagi, translation
Source: Today’s Haiku (October 6, 2019) | Blue Willow Haiku World (by Fay Aoyagi)
Installation view of James Turrell: Into the Light in Building 6 at the Massachusetts Museum of Contemporary Art (© James Turrell, photo by Florian Holzherr)
Into the Light, which will remain on long-term view at the museum, brings together installations from every stage of Turrell’s five-decade career.
Source: A Journey Through James Turrell’s Disorienting World at the Newly Expanded MASS MoCA
Photo courtesy Rebecca Solnit
“Hope in the Dark” is about the reality that we don’t know what will happen next, and in that uncertainty is room to act. But what’s going to be really difficult, and what I saw in the nuclear freeze movement in the early 80s, is that people think if we don’t win tomorrow or we don’t achieve exactly what we’ve set out to do then we’ve achieved nothing or we lost. Success often takes years or decades and often a number of extraordinary benefits take place along the way that are indirect or unanticipated and those absolutely matter.”
Source: Rebecca Solnit: How to Find Hope in a New Era of Darkness | Broadly
— Anton Chekhov (1860-1904): from At the Mill (1886)
GREECE – Migrants comfort each other after they have reached the Greek island of Kos. By @atzortzinis #AFP: image via Frédérique Geffard @fgeffardAFP, 13 August 2015
And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.
— James Agee, A Death in the Family
Mythology of Blue : And somewhat as in blind night, on a mild sea, a….