Posts Tagged ‘ dreams ’

sweet dreams – MUTTS Daily Email

Source: MUTTS Daily Email

Lies and Dreams: a Workshop with Myanmar poets – Otohime

photo by Antima Moe

Thinking gratefully and continually about my amazing experience with the Myanmar poets in late May in Yangon, where I facilitated a poetics workshop called “Lies and Dream . . .

 

Nada Gordon ~ My brainstorm about my desires for poems:

I want poems to be capacious — not necessarily in volume — to have a richness of surface and language —

even when minimal — the spaces between words in a minimal poems should BREED thoughts/images/hallucinations

so…a kind of sublime drugginess

simultaneously personal — no–motivated — I want to feel the reason for the poem –that reason can just be the reason

and also impersonal — but not…”distanced” — located in the stuff of language, its feel on the eye/ear/tongue

I want it witty — can express “truths: but oughtn’t to settle in them — better, momentary insights

and I want it to resist descriptiveness

I want new chemical combinations in language — not just for the sake of weirdness like surrealism…too obvious, negates its own weirdness

generally I want it to avoid making points that it doesn’t subvert

I want everything to be in question

like being in an unfamiliar city — each corner turned should to something startling —

maybe beautiful, maybe squalid

but anyway unexpected

I want codes

I don’t want identity (or at least not any simple definition of what identity might mean) so much, since going beyond it is a kind of nirvana

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Source: Lies and Dreams: a Workshop with Myanmar poets – Otohime

Giovanni Guidi Trio – City of Broken Dreams

Bashō — a wild sea – at Never Ending Story

a wild sea –

stretching to Sado Isle

the Milky Way

– Bashō

Comment: This haiku is framed by the natural landscape, a “wild sea” (L1) and the “Milky Way” (L3) through Bashō’s effective use of inversion (in both the Japanese original and the English translation). Sado Isle, known for its long history of political exiles, surrounded by a wild sea and lying under the Milky Way, comes to “embody the feeling of loneliness, both of the exiles at Sado and of the poet himself. The poem has a majestic, slow-moving rhythm, especially the drawn-out “o” sounds in the middle line (Sado ni yokotau), which suggests the vastness and scale of the landscape” (Haruo Shirane, Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Bashō, pp. 242-3) from — Chen-ou Liu, Never Ending Story

Muttscomics

Muttscomics.

Wonder and Estrangement: Reflections on Three Caves, parts 1&2 of 3

 

 

Wonder and Estrangement: Reflections on Three Caves, parts 1&2 of 3.

William Boyd on Elizabeth Bishop in Brazil / The Guardian

William Boyd on Elizabeth Bishop in Brazil | Books | The Guardian.