Posts Tagged ‘ painting ’

Jorge Costa, “Hypha – Spitzenkoerper #1” (2018) – from Open Call NXNE 2019 on view at the Brattleboro Museum & Art Center January 12 – March 2, 2019

Jorge Costa, “Hypha – Spitzenkoerper #1” (2018), acrylic and ink on Yupo paper, 76 inches x 100 inches.

from Open Call NXNE 2019, on view at the Brattleboro Museum & Art Center January 12 – March 2, 2019. www.brattleboromuseum.org

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2018
12/09
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Demotic Abstraction with a Twist

Barbara Takenaga, “The Edge” (2018), acrylic on linen, 54 x 45 inches (all images courtesy DC Moore Gallery)

By concentrating on detail, which is a central feature of Barbara Takenaga’s work, she has gone against the reductive tendencies of Minimalism that still haunt painting.

Source: Demotic Abstraction with a Twist

2018
09/09
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Marilyn Johnston : Watercolors & Pastels Prosser Public Library

Marilyn-JohnstonMarilyn Johnston

C R E A T I V E   P A T H W A Y

WATERCOLORS AND PASTELS

 
MARILYN JOHNSTON
 

JUNE & JULY 2018

Location:
Prosser Public Library • 1 Tunxis Avenue • Bloomfield, CT
Monday – Thursday: 10 am – 8 pm
Friday: 10 am – 6 pm &  Saturday: 10 am – 5 pm
2018
06/01
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Painting — JORGE COSTA

 

Source: Painting — JORGE COSTA

2018
05/12
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Etel Adnan – The Shape of the Mountain Paris Review

for Sabine Miller

Source: Paris Review – The Shape of the Mountain

2018
04/29
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Cy Twombly’s Extravagant Synesthesia

 

Cy Twombly, “Untitled (Gaeta)” (1989), acrylic and tempera on paper mounted on wooden panel, 80 × 58 5/8 inches, Private Collection, © Cy Twombly Foundation. Courtesy Gagosian

Source: Cy Twombly’s Extravagant Synesthesia

2018
03/25
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Joan Baez on Her Next Chapter: ‘I Don’t Make History, I Am History’ – The New York Times

2018
03/16
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Donna Fleischer Poet of indra's net

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in fairness ~

All poems and texts on this site are copyright of the author(s) and should not be used or reproduced in any form without consent, yet ~
keeping in mind the words of the poet Pierre Joris, ". . . I make the arrogant claim that the poet is possibly the last, in Robert Kelly’s words, ‘scientist of the whole… to whom all data whatsoever are of use.’ . . . The prerogative of the poet is to steal directly whatever is of use, without needing to theoretically kowtow via analysis, explicatio, critical cloning or proof of pc allegiance."

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word pond by Donna Fleischer is licensed under a Creative Commons Attribution-NonCommercial 3.0 United States License.
Based on a work at donnafleischer.wordpress.com.
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