Posts Tagged ‘ poem ’

kA – i wISH (dEATH pOEM) (hONOR kILLED tHE sAMURAI) (2016) – YouTube

OPLAY

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“Lindos, Greece” by Sandra Simonds

Lindos, Greece

Maybe silence adds to the pain
and maybe pain adds to the sea
and maybe the sea is only a reflection
of a ruin today
where the mind is unable to make out
how things used to be for us:
complete, with deities, a kind of 
order. Oh never mind the ATMs 
scattered throughout the medieval town
or the street art sprayed
into the air that says
Destroy what destroys you
But I destroy myself;
I destroy myself.

Source: “Lindos, Greece” by Sandra Simonds

Note to Reality by Tony Hoagland | Poetry Magazine

Note to Reality

Without even knowing it, I have
believed in you for a long time.
When I looked at my blood under a microscope
                I could see truth multiplying over and over.
—Not police sirens, nor history books, not stage-three lymphoma
                                                                                     persuaded me
but your honeycombs and beetles; the dry blond fascicles of grass
                                                              thrust up above the January snow.
Your postcards of Picasso and Matisse,
                                         from the museum series on European masters.
When my friend died on the way to the hospital
                                           it was not his death that so amazed me
but that the driver of the cab
                                              did not insist upon the fare.
Quotation marks: what should we put inside them?
Shall I say “I”  “have been hurt” “by”  “you,”  you neglectful monster?
I speak now because experience has shown me
                                 that my mind will never be clear for long.
I am more thick-skinned and male, more selfish, jealous, and afraid
                                   than ever in my life.
“For my heart is tangled in thy nets;
                              my soul enmeshed in cataracts of time…”
The breeze so cool today, the sky smeared with bluish grays and whites.
The parade for the slain police officer
goes past the bakery
and the smell of fresh bread
makes the mourners salivate against their will.

Source: Note to Reality by Tony Hoagland | Poetry Magazine

First Known When Lost: What The Leaves Say

Imitation

Far from your own little bough,
Poor little frail little leaf,
Where are you going? — The wind
Has plucked me from the beech where I was born.
It rises once more, and bears me
In the air from the wood to the fields,
And from the valley up into the hills.
I am a wanderer
For ever: that is all that I can say.
I go where everything goes,
I go where by nature’s law
Wanders the leaf of the rose,
Wanders the leaf of the bay.

Giacomo Leopardi (translated by J. G. Nichols), in Giacomo Leopardi, The Canti (Carcanet Press 1994).

The poem is a translation of “La Feuille” (“The Leaf”) by the French poet Antoine-Vincent Arnault (1766-1834).  Hence the title “Imitation.”

Source: First Known When Lost: What The Leaves Say

Poems and Poetics: Rochelle Owens: “Beloved the Aardvark,” a new poem with author’s comments

The letters horizontal

 

or vertical  f l o a t  before
your eyes
a black line shapes itself
spells out the first noun in
an english dictionary
with a forefinger and thumb
spells out  A a r d v a r k
an animal from Africa
body of data  data of body
rabbitlike ears  a long cylindrical
tongue
the tail of a kangaroo
nocturnal  burrowing  a member
of the mammalian order
made of the parts
of different animals  lay your hand
feel the bones under the skin
            *
The universe contains
everything that exists  letters
that spell out
r u i  n s c a p e
end to end long strings
of words blinking in and out
as the universe contracts
e x p a n d s
across the twenty-first century
mounds of sand  appear
disappear
always the Aardvark moves
in circles  moves in circles
in the here and now                                                                                                        2
swaying side to side
massive the claws digging
searching
work is a binding obligation
a jaw opens and closes
carnal/spiritual
           *
On a computer screen
reflections of water  metal  glass
bouncing radio waves
black lines form letters
precise  methodical  long strings
of words  vertical/horizontal
words detached from
the course of events  planned
or spontaneous patterns
spirals of wind and fire
zigzags of black and white lines
layers of brown dust
biomorphic  geomorphic
polymorphic  slashes  slashes
of solar light
earth  air  fire  water
motionless the Aardvark
stands  listening  blood in
blood out
           *
Press button to see
Science and Art of creating
archetypal scenes
come into being
long ago  an hour ago
only a minute                                                                                                                  3
known and unknown shapes
the flesh of the apple  the dome
of a human skull
a mushroom cloud
each successive image
signs and wonders  earth  air
fire  water
motionless the Aardvark
stands listening  blood in
blood out
           *
Press button to see
a bucolic setting  grape vines
olive groves
fields of sunflowers
white the summer blossoms
a wedding party
the bride and groom  pale
and red his lips  her breast vein
as thick as a finger
out of his mouth
protrudes his tongue  cinnamon cumin
honey and salt
lines of insects appear
disappear  tendons and nerves
pulsate
a flow of hormonal forces
blood in  blood out  the universe
contracting
e x p a n d i n g
an outline shapes itself
playful the unborn babe in its
amniotic sac                                                                                                                    4
           *
Always the Aardvark
moves in circles  moves in circles
in the here and now
earth  air  fire  water
moves in circles  swaying
side to side  rhythmic the blood
the months in a year
disease  famine  torture  war
mounds of sand appear  disappear
massive the claws
digging  searching  long ago
an hour ago
only a minute
           *
On a warm day in spring
a woman plays a harpsichord
the lid painted with scenes
of mythological animals
known and unknown shapes
nocturnal  solitary
black zigzags
appear  disappear  motionless
the Aardvark stands
listening  a jaw opens
and closes  audible  inaudible
the sound of the predator
lay your hand
feel the bones under the skin
carnal/spiritual
author’s comment: “To look at the image of an Aardvark is to take a cosmic Rorschach test, and like a cubist mural is both a microcosm and macrocosm.  You understand
Intuitively – a Cartesian resolution of body and spirit.  The poem presented here is the first of a series of poems titled ‘Beloved the Aardvark,’ related I suppose to the poem ‘Devour Not the Elephant’ that appeared earlier in Poems and Poetics.” (Rochelle Owens)

 

Source: Poems and Poetics: Rochelle Owens: “Beloved the Aardvark,” a new poem with author’s comments

#MeToo: Sina Queyras | Chicago Review

Sina Queyras

 

 

February morning, 2018

 

You are being asked to drop your worm’s eye view
Of the world. Signs come at you from every direction:
The world is all fists up and fuck it, rivers lift their skirts,
Forests whistle for their lost canopies, California
Is parched, the celluloid is not soluble. I thought I saw
The future on social media, but, no, the future is still
In the body. I am humbled by the young ones: I see their
Raised glasses clinking in the sunset. I see myself an old spider
On crutches, only two of my eight legs function, I move
Through the city a ball of pain on stilts tilting into
The future, which is bristling and full of fear; but beyond
That fear is open space: I think, I must get there, I must
Grow arms, more arms, a forest of arms, there are so many
Bodies that need holding, there are so many voices to hear.

Source: #MeToo: Sina Queyras | Chicago Review

Tilsa Otta – Palabras Errantes

TILSA OTTA

Translated by K.T. Billey.

 

today for the first time I was offended by god
having met you as a woman
without a penis
you who likes them so much
you say pricks
speaking of sizes
I have one
but it’s for personal use
it’s not really mine
I couldn’t use it with you
it’s not permanent, either
I see it about three times a week
I really like it
I’m waiting for it to say I love you
in the end I suppose I’m like all the girls
without a penis
I don’t believe in god but that’s not why
I’m not bothered by him
the truth is I’m happy and grateful to have met you
I write this so that you know
if I had a prick
you’d be the first to know it

 

Source: Palabras Errantes » Archive Tilsa Otta – Palabras Errantes

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