Posts Tagged ‘ Sean Bonney ’

Zeitgeist Spam: With the Noose Around My Neck 160

 

Source: Zeitgeist Spam: With the Noose Around My Neck 160

Poetry as a Blowtorch of Protest

 

Sean Bonney, Our Death (image courtesy Commune Editions)

While despondency and madness appear aplenty in Sean Bonney’s writing, its keynote is pure, hard rage.

Source: Poetry as a Blowtorch of Protest

Sean Bonney | Notes on Baudelaire – BLACKOUT ((poetry & politics))

 

 

Lee Miller | Women Firewatchers, London (1940)

“I will get a map of London to see where Hackney is” – Ed Dorn “. . . left the ruins, climbed out from under the white stones” – Amiri Baraka     (((1))) …

Source: Sean Bonney | Notes on Baudelaire – BLACKOUT ((poetry & politics))

The Bard of Capitalist Realism by Ed Simon | Poetry Foundation

Photo courtesy of Sean Bonney’s family.

On Sean Bonney’s prophetic wrath.

Source: The Bard of Capitalist Realism by Ed Simon | Poetry Foundation

Their Own Pantheon: Sean Bonney Interviewed – BOMB Magazine

Photo of Sean Bonney courtesy of Commune Editions.

The late poet on his artistic influences, leftist politics, and reading to anarcho-punks.

Source: Their Own Pantheon: Sean Bonney Interviewed – BOMB Magazine

Sean Bonney’s Hate Poems « Post45

 

The text of ruminations then commences:

On appelle Calendrier le decoupage et l’étiquetage des morceaux de temps. C’est grâce à ce classement que nous nous retrouvons dans le dévidage de l’existence.

Sans calendrier nous ne serions bougrement pas à la noce: on vivoterait à l”aveuglette, kif-kif les animaux.

The calendar is our name for the cutting up and labeling of bits of time. It’s thanks to this arrangement we that can find our way around in the unraveling of existence.

Without the calendar we wouldn’t be in such a fucking mess: we’d scrape by blindly, same as the animals.25

“Same as the animals” also means, or will do as code for, “who gives a fuck.” Blah blah. “We both know what that means.”

Blah blah is also an associative trigger that the poem sees coming. The excoriation sets off a memory prepared earlier. The next sentence is “It put me in mind of the mass incineration of farm animals that happened in Britain, in 2001.” The shift up into a literary idiom (“it put me in mind of”) is subtly, but clearly, stagy: the poet is not just thinking of something, he is performing a reminiscence. The text knows that the scene brought in for the purpose of this reminiscence (the mass incineration of farm animals) is by this point in the authorship liable to seem generic. An associative trigger in a poem by Bonney, seen coming or not, will not put the poet in mind of a nice Christmas. Association doesn’t work like that, especially not within the prison of the prose block, and certainly never in a “Love Poem.”

This too is part of the stagy consistency of the text, which knows (as you also know) that writing is now, in the contemporary eternal dévidage, either a stranglehold on devastation or a longwinded airy load of bullshit and nothing. “The poetic moans of this century have been, for the most part, a banal patina of snobbery, vanity and sophistry,” reports the “Letter on Riots and Doubt.”

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Source: Sean Bonney’s Hate Poems « Post45

6-31 Translation from Rimbaud / Sean Bonney by martin.gubbins | Martin Gubbins | Free Listening on SoundCloud

 

Sean Bonney 1969 – 2019

 

Zeitgeist Spam: So long, Sean. A few lines of yours to see you out … w/love

21.11.2019

Source: Zeitgeist Spam: So long, Sean. A few lines of yours to see you out … w/love

Zeitgeist Spam: I hven’t been making poetry and this is why

« With the Noose Around My Neck 69 | Main

26.09.2017

 

Source: Zeitgeist Spam: I hven’t been making poetry and this is why

Anywhere Out of the World on Vimeo