Posts Tagged ‘ self-portrait ’

Ellen Carey participates in “The Unbearable Lightness” 1980s Photography & Film – Centre Pompidou, Paris > 2.24-5.23.2016 <

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Ellen Carey, Self-Portrait, 1984, unique Polaroid 20 x 24

Heterogeneous, elusive, painful, fantastical, still too close, as light-hearted as they were serious, the Eighties were full of contrasts and paradoxes. With films and photographs from its collections, the Centre Pompidou cast a fresh eye on this decade in an exhibition featuring over 20 artists and some 60 works in a completely new circuit.

From Florence Paradeis to Jean-Paul Goude, and from Karen Knorr to Présence Panchounette by way of Martin Parr and Pierre and Gilles, the works selected mostly express criticism of culture and society through various strategies, such as irony, realistic or imaginative staging, pastiche, subverted sets and odes to artifice. The history of Eighties photography somewhat eludes comprehension even today.

While neo-documentary forms (such as “The Düsseldorf School”, the photographic project of DATAR, the Interdepartmental Delegation for Territorial Development and Regional Attractiveness) were positively received by critics overall, the same was not true of “manufactured”, staged or possibly “Baroque” photography, which represented much of the work produced in the Eighties. Beyond the sometimes too all-inclusive concept of post-modernism, the Eighties saw the emergence of new issues that were both poetic and political. Hybridisation, humour, irony, eroticism and nostalgia are all possible keys to interpreting the art of this period, particularly its photography.

Mainly dedicated to the Western and American scene of the 1980s, well-represented in the Centre Pompidou’s collection, this exhibition reflects the geopolitical and economic order of a time when the ideological divisions between North and South, East and West, capitalist democracies and centralised totalitarian regimes were being swept aside by the new global economy. With a mix of famous works and others awaiting rediscovery, the exhibition draws us into the aesthetics and sometimes popular iconography typical of this period and geography.

In France, the Eighties were crucial for photography in terms of art and heritage. Several major photography museums and collections sprang up or developed under a new impulse. At the same time, a new generation of “painter-photographers” appeared, who were keen to do away with the barrier between photography and painting and rebelled against the language of the previous generation. This new photography, often highly “pictorialist” in Western countries, developed forms that were closely connected with technical advances in this area: the availability of good-quality colour photography, the possibilities provided by large formats and the instantaneousness of Polaroid. The meeting between these new production methods and the search for different forms and themes in classic photography created another paradox: works that were openly anti-documentary proved to be such an accurate reflection of the reality they came from that in the end they were its best representation.

The exhibition of the Centre Pompidou brings together for the first time the works of Bazile Bustamante, Agnès Bonnot, David Buckland, Ellen Carey, Clegg & Guttmann, Tom Drahos, Jean-Paul Goude, Hergo, Karen Knorr, Elizabeth Lennard, Joachim Mogarra, Patrick Nagatani, Paul de Nooijer, Alice Odilon, Florence Paradeis, Martin Parr, Pierre et Gilles, Présence Panchounette, Alix Cléo Roubaud, Sandy Skoglund, Unglee, Boyd Webb, Mark Wilcox.

The Unbearable Lightness Centre Pompidou Paris

M+B congratulates Ellen Carey on her participation in the exhibition on 1980s photography at the Centre Pompidou, Paris. For press inquiries, please contact Jeanie Choi at M+B. For all other inquiries, please contact Jonlin Wung or Sonny Ruscha Granade.

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Art Note / Musings on art

Art Note | Musings on art.

Recently Banned Literature: Alone

 

 

Recently Banned Literature: Alone.

On a Day Like Today, French Painter Jean-Baptiste-Siméon Chardin, was Born / artdaily.org

November 2, 1699 — Jean-Baptiste-Siméon Chardin (2 November 1699 – 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. In this image: Self-portrait, 1771, pastel, Musée du Louvre, Paris. ~ artdaily.org

Happy Birthday! Man Ray

Man Ray Self-Portrait

Man Ray (August 27, 1890 – November 18, 1976), born Emmanuel Radnitzky, was an American artist who spent most of his career in Paris, France. Perhaps best described simply as a modernist, he was a significant contributor to both the Dada and Surrealist movements, although his ties to each were informal. Best known in the art world for his avant-garde photography, Man Ray produced major works in a variety of media and considered himself a painter above all. He was also a renowned fashion and portrait photographer. He is noted for his photograms, which he renamed “rayographs” after himself.  ~ artdaily.org