Posts Tagged ‘ Wittgenstein ’

A Longhouse Birdhouse: POETS WHO SLEEP (The Book) ~ #1


More to come, 12 pages each week

Source: A Longhouse Birdhouse: POETS WHO SLEEP (The Book) ~ #1

Lorine Niedecker’s ‘Lake Superior’ — Rhetoric of the everyday | Jacket2

“Looking Out to the River,” Lorine Niedecker, Blackhawk Island, WI, March 1966 (image courtesy of the Fort Atkinson Historical Society).

” . . . poetry is especially important as a mode of inquiry; it accepts the necessity of mood to make sense of experience. Mood establishes a particular kind of bond between author and reader.”  – Martha Nussbaum

Rhetoric of the everyday | Jacket2.

Me and My Pharaoh . . . BY CHARLES BERNSTEIN [facsimile] | Poetry

Me and My Pharaoh . . .




He awoke,


fully charged. You




bring water to a horse but you can’t


make it ride. All poetry is conceptual


but some is more







Ambient difficulty leads to poetic


license. Poetry has


no purpose




that is not







You have to get over





g over. April is


the cruelest month for poetry. And May


is not much better, is




Why write in prose what you could write as easily






The poem is a crutch that allows us to think with


and throu-



h it.


Every poem must have 13 distinct frames, devices, motifs, styles, forms, or



Poetry emasculates prose.


The body: can’t live with it, can’t live without





I want to be understood,


just not by you.


Last week’s weather is worth a pound of salt, just

like the lot of  wives or the snowy pillars of  Danton.


There’s not a crowd in the sky. Familiarity breeds


content. Yesterday’s


weather is as


beyond reach as tomorrow’s


dreams. The


move away from close

reading often got drowned in the


bathwater, even if   we could never find the baby. I wouldn’t  join a poetic


tradition that would recognize me as




member. The wheel needs


to be reinvented because we’re still




I am for almost new art (gently used forms) — easier on the pocketbook and on


the b-


rain (undergarments not accepted). The only true


innovation is God’s. Others


pay cash.


This is a lie and that’s the truth.


Better truth in the shade than a lie in the sun.


The taste of madeleine ain’t


what it used to be.


(taint what it used to be)


all alone and feeling



Operators are on duty. Call now.



As dry as a bubble, as expectant as the dead


of night. Without product placement, poetry

as we know it


cannot sur-




Poetry should not be in the service of art any more than religion, ideology,

or morality. Poetry should be in the service of nothing — and not even



If  you can identify someone as gnostic they are probably




gnostic enough,


for my money.


I believe in my disbelief, have faith in my reason.


The sacred in a poem is nowhere seen and everywhere


felt. There’s


more to transgression than


ritual, but not enough


more. There is more


to liturgy than doctrine,


once in a blue







I left my purpose in my other pants.


You’re not the only paddle in the ocean, shadow in the dark, line in

the poem, lobster in the trap, pot on the stove, wheel on the truck,

letter on the keypad, scythe in the field, lever on the controls, cloud

in the sky, fruit in the tree, rat in the lab.


Reality is usually a poor copy of the imitation. The original

is an echo of what is yet to be.


Time is neither linear nor circular; it is excremental.


Beauty is the memory of the loss of time.












American poetry suffers from its lack of


uncreativity. I have no faith in faith, or hope

for hope, no belief  in belief, no doubt of doubt.


They say God is in the details. That’s

because the Devil has the rest




God is weak and imaginary — a flickering possibility. The dogma of an

omniscient and omnipotent God maligns hope and denies the sacred, as

it turns its back on the world.


God has no doctrine, no morality, no responsibility. To sin against

God is to use that name to justify any action or prohibition, whether

murder or martyrdom.


I’ve got authenticity, you’ve got dogma  …    proclaimeth the Lord.


Saying one more time:

It’s true but I don’t believe it

I believe it but it’s not so.


“My logic is all in the melting pot.”



Better an old cow than a dead

horse. Alzheimer’s:


What’s that again? So it turns out I’m


not a bull in a china shop but china in a




shop. Sometimes a penis is just a s-








In their gloom, the Jews go and come

Talking of Bergen-Belsen.


(I saw time but it didn’t return my gaze.)


My heart is like a water bucket that returns from the river


seven times full eighth




Zeno and Heraklitus are my father’s milk.


I think with the poem not thr-








it. Turns


of phrase / my stock in


trade. Negative

capability: sure.

But also



incapacity. I always


hear echoes and reverses


when I am listening to language. It’s


the field of my consciousness.


When we stop making — manufacturing,

imposing — sense then we have a chance


to find it.


A professional poet throws nothing out except the eggshells and the coffee grounds.


I think the idea is to be unoriginal but in as original a way a-

s possible.


Poets are the Pershings


of the imaginary: piercing


themselves as they perish


in spite of native ground.


I wish I was still in my pajamas.


The unironized life is not worth living.


When people tell that joke, three Jews

four opinions, what they don’t say is that two of them,

the schmucks, have the same opinion, while the third …


Ouzo something to me and it ain’t pretty.


Absinthe makes the heart gro-






“Throughout this prospectus, ‘object’ refers to the digitized file.”


Yesterday is a stone’s throw from tomorrow


& each new year a vast canvas of impossibility.


Kalip in North Folk, you’re on the air.


Stand clear of the clo-








Too much is still


not enough.



Blameless as a sheep at slaughter, am I

Guileless as the toll of tidal tug


There are no absolutes except this.


It was a veritable bow across the shot.


“Sacred means saturated with being.”



So does scared. So does scarred.



Source: Poetry (April 2014).

HELLO, THE ROSES by MEI-MEI BERSSENBRUGGE, a review by Marthe Reed / Galatea Resurrects #21 A Poetry Engagement

“Sacred means saturated with being.” (92)

Galatea Resurrects #21 A Poetry Engagement: HELLO, THE ROSES by MEI-MEI BERSSENBRUGGE.

TOM CLARK: Wrapped in cellophane and isolated from everything great


Winchester Bay, Oregon: photo by Austin Granger, 24  October 2013

TOM CLARK: Wrapped in cellophane and isolated from everything great.

Maggie Nelson’s “Bluets” reviewed at dbqp: visualizing poetics

“Suppose I were to begin by saying that I had fallen in love with a color.” ~ Maggie Nelson

Maggie Nelson, Bluets (2009)

Maggie Nelson’s Bluets reviewed at dbqp: visualizing poetics

Wittgenstein Tweets / HTMLGIANT



Wittgenstein Tweets | HTMLGIANT.