‘The Fatal Conscience’: Julia de Burgos, Puerto Rico’s Greatest Poet | by Molly Crabapple | NYR Daily | The New York Review of Books
Portrait of Julia de Burgos
Archive for April, 2018
Adichie grilling Hillary Clinton at PEN America’s World Voices Festival, New York, April, 2018. Photograph:Karsten Moran/New York Times/Redux/eyevine
One of the most compelling injunctions in Adichie’s manifestos is to encourage girls to “reject likability”. “Oh my God, all that time wasted,” she says with feeling, that boys and men do not waste. Clinton and “all the harping on about whether or not she is ‘likable’,” is the perfect example of how she had to persuade friends that sexism was at work. “It is still very upsetting to me. I don’t care how much societies tell themselves that they are progressive, the kind of criticism that Clinton gets from the very progressive left, I think is terrible. People now say to her ‘shut up and go away’ – that whole idea of silencing women. I kind of like what’s happening to her now, it feels as though that ‘fuck it’ I wish she had said before, she seems to be saying now.”
One group who didn’t seem swayed by how much they found Clinton likable was black American women, 90% of whom voted for her in the election.
The bestselling author says she never wanted to become a voice for feminism, but refuses to abide by ‘language orthodoxy’
Source: Chimamanda Ngozi Adichie: ‘This could be the beginning of a revolution’ | Books | The Guardian
たんぽぽは地の糧詩人は不遇でよし 寺山修司
tampopo wa chi no kate shijin wa fugû de yoshi
dandelion is the earth’s food…
it is OK if a poet is
ill-fated
Shuji Terayama
translated by Fay Aoyagi
from “Haiku Dai-Saijiki” (“Comprehensive Haiku Saijiki”), Kadokawa Shoten, Tokyo, 2006
Fay’s Note: Shuji Terayama (1935-1983)
Source: Today’s Haiku (April 26, 2018) | Blue Willow Haiku World (by Fay Aoyagi)