Posts Tagged ‘ Ethan Boisvert ’
In the eighties I made many visits to Hartford’s Municipal Building, or City Hall, and grew to love the exterior and interior magnificence of the grand three-story building. Its architecture is styled after the École des Beaux-Arts in Paris, and it was perfectly scaled for the site it would occupy when it opened in 1915. Downtown Hartford is small. This building possesses the majesty of the form and materials, yet, like the city’s downtown area, it presents itself in a compact kind of way, opening to passers-by and visitors like a Fabergé egg.
Now the final piece has been added to this glass, granite, brass, and atriumed egg with the interior installation of artist, Ethan Boisvert’s monumental painting of downtown Hartford, Spicy City. The painting ribbons by iconic monuments and places of the little city — the State Capitol Building with its gold-leafed dome; the Wadsworth Atheneum Museum of Art, oldest public museum in the United States; the Samuel Colt Building; the Phoenix Insurance Company’s “boat” building; the Soldier’s Arch; even whimsical sketches of cars here and there — with such boisterous, comic love of color, line and shape that the entire scene comes alive, bustling, jostling, humming. The municipal grey insurance city, like a geode cracked open, spills out its vivid carmine, turquoise, amethyst, sapphire, topaz jewels. This is just what Hartford and its Municipal Building needed — not just another decorative splash of color but real art made from the inside out somatic imagination of a talented artist with a draftsman’s knowledge and ability to draw, and an intimate, sense for and knowledge of color and scale. And, Ethan Boisvert is Hartford’s own. If the City has not yet purchased the painting, I think it’s time, to recognize the synergy between this work of art and the symbol of the city it uplifts. That’s it – it uplifts us. ~ yours truly, df
Boisvert’s Spicy City will be on view at City Hall for a month and there will be an opening on First Thursday, November 3, from 6 to 8 p.m. when CONNetic Dance will perform a short preview for this season’s “Nutcracker Suite & Spicy.”
Future Tense, virtual exhibition of artist bill boards
The Travelers Tower, corporate headquarters of The Travelers Insurance Company, Hartford, CT, can be seen in the background of this online billboard projection of a non-photoshopped painting by the artist Ethan Boisvert. ~ yours truly, df
The West Hartford Art League of Connecticut commissioned the artist Ethan Boisvert to paint a bus shelter for this year’s ArtWalk exhibit. And what a perfect fit it is, especially for this area in particular as it is situated near the main thoroughfare in West Hartford, CT, Greater Hartford’s crown in the jewel [sic].
Generally speaking, Boisvert’s large-scale abstract work is all about movement through his use of color fields which he places according to how they will “sound” with one another. According to an artist statement his use of color, line quality and pattern have many influences ranging from the Fauves of Europe in the early 1900s, ”through the 1950’s New York school with the large canvases and loose brush strokes to the arenas of the Pop movement that embrace pattern.”
Ethan Boisvert’s art and this transmogrified bus shelter stand at the intersection of art, commerce, and the natural world. Where else may one wait for a late bus still wrapped in a smile? yours truly, df
The West Hartford Art League of Connecticut commissioned the artist Ethan Boisvert to paint a bus shelter for this year’s ArtWalk exhibit. And what a perfect fit it is, especially for this area in particular as it is situated near the main thoroughfare in West Hartford, CT, Greater Hartford’s crown in the jewel [sic].
Generally speaking, Boisvert’s large-scale abstract work is all about movement through his use of color fields which he places according to how they will “sound” with one another. According to an artist statement his use of color, line quality and pattern have many influences ranging from the Fauves of Europe in the early 1900s, “through the 1950’s New York school with the large canvases and loose brush strokes to the arenas of the Pop movement that embrace pattern.”
Ethan Boisvert’s art and this transmogrified bus shelter stand at the intersection of art, commerce, and the natural world. Where else may one wait for a late bus still wrapped in a smile? yours truly, df